Eva Jaroňová : © eva.jaronova@gmail.com

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interview for Swarm Magazine: The Roots of Taste

read ➜ HERE

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Watter lilies, aquarelle, paper, 420 × 594 mm, 2023

Watter lilies, detail

A tak žili ve šťastné homeostáze až navěky

And they lived in happy homeostasis happily ever after

aquarelle, paper, 420 × 594 mm, 2023

A tak žili ve šťastné homeostáze až navěky

And they lived in happy homeostasis happily ever after

infinite pattern,digital print on satin, 2023

Imagine a Breath of Fresh Air

Galeria Studio, Plac Defilad 1 PKiN, Warsaw

✧ Group exhibition with: BCAA System, Gabriela BK, Joshua Citarella, Mark Fridvalszki, Seana Gavin, Eva Jaroňová, Nam June Paik, Kinga Kiełczyńska, Diana Lelonek, Ruth Wolf-Rehfeldt, Milan Ressel, Leon Romanow, Adéla Součková, Maja Smrekar, Superflux, Suzanne Treister, Ondřej Trhoň & Nela Pietrová✧ Curators: Jindřich Chalupecký Society curatorial collective (Barbora Ciprová, Veronika Čechová, Tereza Jindrová, Karina Kottová) and Paulina Olszewska (Galeria Studio)

Exhibition architecture: Krzysztof Skoczylas

Production: Ondřej Houšťava, Zuzana Šrámková (JCHS), Ewa Grzebyk (Galeria Studio)

Photo: Anna Zagrodzka

The group exhibition at Galeria Studio in Warsaw elaborates on the theme of visions of the future of our planet and the humankind on several levels. It involves projects by a number of Czech, Polish and international artists. Rather than the courage to embark on unrestrained utopian plans, today’s visions of our future are accompanied by anxiety and black scenarios. There will inevitably be a future, even if it is one after the extinction of our species. But perhaps there are more promising prospects after all.

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Svět prochází člověkem I

The World Passes through Human

aquarelle, paper, 420 × 594 mm, 2021

Svět prochází člověkem II

The World Passes through Human

aquarelle, paper, 420 × 594 mm, 2021

Svět prochází člověkem III

The World Passes through Human

aquarelle, paper, 297 × 420 mm, 2021

Flowerhead, acrylic, gouache, wooden board2, 2022

Carrier, aquarelle, paper, 2023

Potato Mama, acrylic, gouache, wooden board, 2023

Games, risograph Postcards, 2022

Svět prochází člověkem III
The World Passes through Human
risoprint, 2021

          Svět prochází člověkem IV, V
          The World Passes through Human IV, V
          aquarelle, paper, 210 × 297 mm, 2021

Nemůžu opustit sám sebe
I can'n abandon myself
aquarelle, paper, 297 × 420 mm, 2021

Sublimující tvář
Sublimating face
aquarelle, paper, 297 × 420 mm, 2021

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               Zkazky z temného lesa / Tales from the Dark Forest 
 




 
 
 
Zkazky z temného lesa / Tales from the Dark Forest 
Štěpán Brož, Eva Jaroňová, Tereza Melková, Gabriela Palijová, Anna Slama & Marek Delong 
curator: Veronika Čechová / Entrance Gallery / Praha / 2022

„In
Eva Jaroňová's drawings and prins, all the classical dualities that
humankind has defined during its evolution are organically
intertwined: the natural versus the artificial, nature versus
technology, human versus other entities inhabiting the Earth, and the
male versus te female element. however, in the scenes depicted this
division is overcome and there is a symbiosis and close
interconnection of all of the above. The scenes are reminiscent of
references to fertility rituals, have a strong erotic charge and can
be perceived as a sort of 21st century paganism.“
(Veronika
Čechová, Tales from the Dark Forest)
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Too Hot / Meetfactory / 2020

 
Too Hot / Meetfactory / 2020 
artist:
Eva Jaroňová 
curator: Eva Riebová
architecture:
Heinich & Stibitz
photo: Tomáš Souček
http://www.meetfactory.cz/en/program/detail/eva-jaronova-too-hot
 

"Eva
Jaroňová’s exhibition of drawings and prints presents scenes full
of black humor and sarcastic commentaries on contemporary times. This
selection of older and newer works, portraying scenes as morbid as
they are humorous, is situated in a setting staged by the architect
duo Heinich & Stibitz.The architectural design divides the space
into three areas, each of which complement the individual pieces of
Eva‘s work."
(Eva Riebová, Too Hot)
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Myceliem / Off Format / 2020

Myceliem / Off Format / 2020

artists:Anežka Abrtová, Eva Jaroňová, Marie Štefáčková

curators: Petr Kovář, Ondřej Navrátil

photo: Martina Schneiderová

„In Eva Jaroňová's illustrations, the message is conveyed by catchy black humour; often drastic scenes of torture, death or sensual pleasure (which we don't necessarily take as the opposite). A contrasting watercolour delicacy accompanies the artist's revealing Freudian descent into the repressed layers of our imagery, into our frustrations, fears and desires, which is enhanced by the use of soft and flowing textile backgrounds. Motifs of mutually fertilizing plants, people watering garden beds with their own blood, or connecting orgiastically with vegetation, reveal beneath the sexual themes a narrative of the coexistence of man and nature, or more specifically, a very current effort to expand the traditionally perceived notion of being beyond humanoid appearance and structure of thought. „

(Petr Kovář, Myceliem)

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Portraits, aquarelle, 2020

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Hopeless Prospects

aquarele, paper, gouache, 2019

“Since time immemorial, humans have used nature. At a certain point, however,
they began to extract too much from it. The age-old cycle of circulating nutrients
was disrupted. Those who realized their sins decided to sacrifice themselves.
Nature will reclaim what belongs to it from those who remain.”
(From Eva Jaroňová‘s text “Hopeless Prospects”)

Hopeless Prospects, cardboard and riso print object, Bartr Budapest Art Residency,photo: János Szabó, 2019

Hopeless Prospects, zine, riso print,
published by Hurrikan Press, 2019

Sexual Plants, aquarelle, gouache, Paper, 2019

Life in the present, aquarelle, paper, 2019

Paintings 2014 - 2018

gouache, aquarelle on cardboard

FYZKULTURA

digitally manipulated paintings

2016 - 2018

Satin pillow, digital print, textile object, 2019

Výjevy ze života světice / Scenes from the Life of a Saint
digitální tisk na saténu, recyklovaný textil, instalace, Oblastní galerie Vysočiny v Jihlavě, (s terezou Bartůňkovou a Lucií Lučanskou), 2019